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Namespace Prefixes

Prefix	IRI
foaf	http://xmlns.com/foaf/0.1/
n4	http://dbtune.org/bbc/peel/session/
mo	http://purl.org/ontology/mo/
wdrs	http://www.w3.org/2007/05/powder-s#
rdfs	http://www.w3.org/2000/01/rdf-schema#
n6	http://demo.openlinksw.com/about/id/entity/https/raw.githubusercontent.com/annajordanous/CO644Files/main/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://dbtune.org/bbc/peel/artist/

Statements

Subject Item

n2:1948

rdf:type

mo:MusicArtist

rdfs:label

The Jesus And Mary Chain

foaf:name

The Jesus And Mary Chain

wdrs:describedby

n6:peel.rdf

mo:performed

n4:3406 n4:3407 n4:3408 n4:3409 n4:3410 n4:3411 n4:3412

mo:biography

Jesus and Mary Chain's debut single, 'Upside Down', released in 1984, achieved the seemingly impossible, marrying bubblegum tunes with harsh, feedback-drenched distortion. At first listen, their debut album 'Psychocandy' (1985) could be seen to be nothing but white noise and squalling feedback, but peer a little deeper and you'll see loveable, simple pop songs peeking back out at you from underneath the wreckage. Their unique sound had a huge impact on both UK and US music, inspiring everyone from My Bloody Valentine to Dinosaur Jnr. The band was centred around two Scottish brothers, William and Jim Reid, along with a cast of supporting characters - most notably Bobby Gillespie on drums, who went on to form Primal Scream. Subsequent albums included 'Darklands' (1987), 'Automatic' (1989) 'Honey's Dead' (1992) and 'Munki' (released on Sub Pop records in 1998). They disbanded in 1999, releasing their Peel sessions in 2000.