This HTML5 document contains 11 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
foaf	http://xmlns.com/foaf/0.1/
n4	http://dbtune.org/bbc/peel/session/
mo	http://purl.org/ontology/mo/
wdrs	http://www.w3.org/2007/05/powder-s#
rdfs	http://www.w3.org/2000/01/rdf-schema#
n7	http://demo.openlinksw.com/about/id/entity/https/raw.githubusercontent.com/annajordanous/CO644Files/main/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://dbtune.org/bbc/peel/artist/

Statements

Subject Item

n2:1443

rdf:type

mo:MusicArtist

rdfs:label

Pink Floyd

foaf:name

Pink Floyd

wdrs:describedby

n7:peel.rdf

mo:performed

n4:2478 n4:2479 n4:2480 n4:2481 n4:2482 n4:2483

mo:biography

Be it the early Syd Barrett pop-psychedelic era of their debut 1967 record 'Piper At The Gates Of Dawn', or the point when everything went massive with the iconic (to say the least) 'Dark Side Of The Mood', Pink Floyd more than any other band not just progressed, but had their career divided into era after era of adventurous, downbeat, trippy epics. They united the hippies (this was ultimate stoner music) and the rock kids (because in their world guitar solos rule), and with epic releases such as 1979's double-opus 'The Wall', gave the punks something to kick against. Both the enemy and Gods, Pink Floyd: national institution.