This HTML5 document contains 10 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

Prefix	IRI
foaf	http://xmlns.com/foaf/0.1/
n4	http://dbtune.org/bbc/peel/session/
mo	http://purl.org/ontology/mo/
wdrs	http://www.w3.org/2007/05/powder-s#
rdfs	http://www.w3.org/2000/01/rdf-schema#
n7	http://demo.openlinksw.com/about/id/entity/https/raw.githubusercontent.com/annajordanous/CO644Files/main/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://dbtune.org/bbc/peel/artist/

Statements

Subject Item

n2:1374

rdf:type

mo:MusicArtist

rdfs:label

Orbital

foaf:name

Orbital

wdrs:describedby

n7:peel.rdf

mo:performed

n4:2373 n4:2374 n4:2375 n4:2376 n4:2377

mo:biography

Orbital were always one step ahead of rave culture. While virtually every other act of the era was forgotten in a haze of bland beats, the brothers Hartnoll recognised the power of the album as a piece of art in it's own right, paving the way for such British dance classics as Prodigy's 'Jilted Generation' and The Chemical Brothers' 'Dig Your Own Hole'. From the kaleidoscopic genre-pushing of 1994's 'Snivilisation' to 1999's brutally sleek 'Middle Of Nowhere', Orbital made techno palatable to music fans otherwise ignorant of the club scene, whilst still maintaining their credibility and desire to experiment. They'll always have a place in the heart of electronica heads the world over, if only for their trademark head-mounted flashlights that made them look like moles.