About: Creative Autonomy in a Simple Interactive Music System

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type	http://eprints.org/ontology/ArticleEPrint http://eprints.org/ontology/EPrint Article Academic Article
seeAlso	HTML Summary of #79402 Creative Autonomy in a Simple Interactive Music System
sameAs	Creative Autonomy in a Simple Interactive Music System
http://eprints.org/ontology/hasAccepted	Creative Autonomy in a Simple Interactive Music System (XML Word Processing Document (DOCX)) Creative Autonomy in a Simple Interactive Music System (PDF)
http://eprints.org/ontology/hasDocument	Creative Autonomy in a Simple Interactive Music System (XML Word Processing Document (DOCX)) Creative Autonomy in a Simple Interactive Music System (Other) Creative Autonomy in a Simple Interactive Music System (PDF) Creative Autonomy in a Simple Interactive Music System (Other) Creative Autonomy in a Simple Interactive Music System (Other) Creative Autonomy in a Simple Interactive Music System (Other) Creative Autonomy in a Simple Interactive Music System (Other) Creative Autonomy in a Simple Interactive Music System (Other)
dc:hasVersion	Creative Autonomy in a Simple Interactive Music System (XML Word Processing Document (DOCX)) Creative Autonomy in a Simple Interactive Music System (PDF)
Title	Creative Autonomy in a Simple Interactive Music System
described by	https://demo.openlinksw.com/about/id/entity/https/www.cs.kent.ac.uk/people/staff/akj22/materials/CO644/export_kar_RDFN3.n3 https://demo.openlinksw.com/about/id/entity/https/raw.githubusercontent.com/annajordanous/CO644Files/main/export_kar_RDFN3.n3
Date	2020-01-21
Creator	Colin G. Johnson Fabio Paolizzo
status	peer reviewed published
Publisher	Taylor & Francis
abstract	Interactive music systems always exhibit an amount of autonomy in the creative process. The capacity to generate material that is primary, contextual and novel to the outcome is proposed here as the bare minimum for creative autonomy in these systems. Assumptions are evaluated using Video Interactive VST Orchestra, a system that generates music through sound processing in interplay with a user. The system accepts audio and video live inputs — a camera and a microphone that capture the interplay of a musician, typically. Mapping of the variance in the musician’s physical motion to the sound processing allows identifying salience in the interaction and the system as autonomous. A case study is presented to provide evidence of creative autonomy in this simple, yet highly effective system.
Is Part Of	Journal of New Music Research https://kar.kent.ac.uk/id/repository
Subject	M Music QA 76 Software, computer programming,
list of authors	https://kar.kent.ac.uk/id/eprint/79402#authors
issue	2
volume	49
is topic of	https://www.cs.kent.ac.uk/people/staff/akj22/materials/CO644/export_kar_RDFN3.n3 https://raw.githubusercontent.com/annajordanous/CO644Files/main/export_kar_RDFN3.n3
is primary topic of	HTML Summary of #79402 Creative Autonomy in a Simple Interactive Music System

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